The Neverending Story (A.K.A. The Ballad of Margaret Brooks and The CSPH)

I love open letters, especially humorous ones like those I used to read back when I was 13 years old and were aimed at celebrities like Tom Felton (who played Draco Malfoy in the Harry Potter series—don’t judge me). Coming in close second, my other favorite types of open letters are those that shed light on things that had previously been hidden in the shadows.

Today, an open letter went out—from Erin Basler-Francis, one of our champs at The Center for Sexual Pleasure & Health, to Margaret Brooks. (This is not the first time she gets an open letter like this, though the one I wrote years ago was much shorter and crankier). You should click over and read it, stat. Here’s some context:

The CSPH has faced a fair amount of adversity since its inception in 2009. Members of the Citizens Against Trafficking (an anti-rights, sex work abolitionist group) continue to harass staff and supporters of The Center, particularly regarding our outreach on college campuses. These bullies use both overt and hidden tactics in an attempt to delegitimize the importance of conversations about sexuality, pleasure, sex work, and sexual rights.

Most recently, Dr. Margaret Landman Brooks, director of the Economics Department at Bridgewater State University, sent a series of emails to the provost of Vanderbilt University using a series of red herring, slippery slope, and equivocation arguments as well as ad hominem attacks in an attempt to convince the school that it would be legally liable for sexual assaults that occurred on campus after the Study Sex College Tour workshop, “Brilliant in Bed.” While not the only protestation, Dr. Margaret Landman Brooks decision to use rhetoric causally linking pleasure focused sexuality education to sexual assault on campus is both inaccurate and insidious. 

We at The CSPH have chosen to address this issue publicly because the tactics used by Dr. Margaret Landman Brooks in this case are irresponsible and dangerous when the context of the climate at Vanderbilt University, as well as the current conversations around sexual assault, BDSM, and Intimate Partner Violence.

While part of me kind of wants to commend Margaret Brooks for her passion, it’s terribly saddening that it manifests in the ways it does and I cannot in good conscience do so. We shouldn’t stand for the bullying of youth, and we should also not stand for the bullying of adults at the hands of other adults. Obviously, if you’re working toward social justice and not ruffling feathers, you’re not making big enough waves (to, uh, mix some metaphors there), but man—the repercussions aren’t pretty, and we need to change that.

boston snow

Pictured here: the Snowpocalypse that’s as cold as the attitude from Donna Hughes.

It’s not like we haven’t reached out to Ms. Brooks, either. We’ve personally invited her and her crew to our events, and extended olive branches in the spirit of dialogue both online and in person, and none of them have been acknowledged or even accepted. In fact, we’ve been pretty straightforward and transparent in all our dealings. To her credit, I guess, she DID shake my hand once? This is when I was trying to show her I was a real person and not some nameless undergrad she could just bully without having to ever face. That is more than I can say for Donna Hughes (a professor of Women’s Studies at the University of Rhode Island—how appropriate, right?), who very much did not shake my hand when I greeted her and gave me a cold shoulder of Boston weather proportions. It was pretty epic. But I digress.

Margaret Brooks is the same person who (along with Donna Hughes and Melanie Shapiro) tried to get a slew of events (including KFAPVD) I organized at Brown University canceled while I was an undergraduate. This is the cohort that misrepresented SO many things about the work the Sexual Health Education & Empowerment Council (SHEEC) at Brown and The CSPH were doing. This is the person that sent countless emails to Brown’s administration (including the President) warning them of the “dangers” of these events, blatantly spread inaccurate/misleading information, and wrote bulletins claiming that we were to blame for a spike in young RI men contracting HIV. This is one of the people that made my time at Brown tough for a while, and made me have to watch my back really carefully.

On some level, I’m glad it started early so I could protect myself before things got too serious, and I’m very fortunate to consistently work in spaces that respect my endeavors and where I can be open about who I am and what I do, but many people aren’t as fortunate

This is the person that sent my personal Twitter account to professors and deans before it was something I shared as publicly as I do now. This is the same person that sent critique-laden, alarmist emails to my supervisors at Sojourner House—about my personal life and affiliations to organizations that believe in kink/BDSM education and reproductive justice—trying to possibly get me fired, and definitely trying to put me in hot water and endanger a health fair I was coordinating. Fortunately, I was out about my identities at Sojourner House, because if I hadn’t been, she would have outed me to the director and my supervisor, as well as other colleagues. That is not okay.

I am eternally grateful to all the professors, deans, staff, friends, and colleagues who were and have been supportive, understanding and wonderful throughout all this and its multiple iterations. You know who you are. Thank you for believing in me and in sexuality education. While Brown is a deeply flawed institution, certainly, I am incredibly proud that they institutionally backed up my right to hold the events I did, and supported my health and dignity during that process. I firmly believe I didn’t bear a bigger burden while I was an undergrad because I was still a student and thus not as “fair game” as professionals in the working world.

You know who was the fairest game of them all, and the original target? Megan Andelloux—one of the best and most hardworking educators in the field today. megan andellouxMargaret Brooks is the person that time and time again contacts places where Megan Andelloux and her close friends/colleagues present with scare tactics in efforts to squash their/our attempts at education. This bullying not only harms the institutions and their populations who are sometimes deprived of accurate sexuality education, but it takes a huge emotional toll on honest, hardworking sexuality educators and advocates who are trying to make the world a better, more sexually literate place. The case with Vanderbilt is not the first time this happens.

This is the cohort of people that tried to stop The CSPH from opening back in 2009/2010. The same cohort of people that have accused my colleagues of pedophilia because they believe in giving kids accurate sexuality information and answering their questions at whatever age they start asking them. This is the cohort that, under the guise of “academic” and/or “professional” writing used blatant inaccuracies and decontextualizations (not to mention shoddy record-keeping and citations) to “make points” about how, basically, we are The Worst.

As far as ethics and academic integrity, I would expect better from a Brown alumna/Economics professor and a Women’s Studies professor.

This needs to stop, and we need people to listen. We will keep doing the work we do because we believe in it, and these things are not going to stop us, but we are not made of steel. We are committed to bringing these issues to light, but remember—all this takes a toll. How are you helping break down this misinformation? How are you supporting the victims of bullying and stalking and professional attacks? If you’re not already, imagine having to watch your back constantly for people like this. Where will they be next? What professional gig will they try to wreck soon? What kind of misinformation will they try to spread? This is why we need to speak up and support each other.

When the Professional Is Personal: Calling Out the Whitewashing of the Sexuality Field [Updated 12/3/14]

NOTE: First time reader? Skip the text between the two horizontal lines below. Already read it? Most recent updates are summarized at the top but you can also see their expanded form within the text. Barring any huge developments, there will be no more updates to this post.


12/3/14: Further updates, in summary form: Reid [a contributor] wrote publicly about this (video is still forthcoming). His partner, Allison Moon (of Girl Sex 101 and Tales of the Pack) has written a post as well. Carl Frankel has once again revised his statements. Sadly, the process has still not been transparent. For the curious, here are the various iterations of it (and note the comment section): version 1, version 2, version 3, and the currently live page. Finally, for a variety of reasons, neither I nor WOCSHN as a collective are engaging with advising or collaborating on the Secrets of the Sex Masters revisions process any further.

12/2/14: Key updates in a new section have been added. Click here.


On first glance, 95% of people can’t tell I’m Latina, or that I’m bilingual—born and raised in Puerto Rico until I turned 18 and came to the continental U.S. for my undergraduate degree. My face adds exactly zero racial diversity points to pictures because I’m pale as heck, and due to my  knack for languages, I don’t have an identifiably non-Anglo accent. However, I identify as a person of color (POC), and more importantly, a woman of color (WOC) due to my ethnic and cultural background, as well as my political leanings and activism around these identities. That means a lot of things, particularly because even in POC spaces, colorism and anti-blackness still exist, and being Latina in the continental U.S. is very different than being one in PR.

So when I saw a recently-published book that highlighted 16 “sex masters” and noticed everyone was White (with no one bringing it up publicly), I figured I needed to do something as both a WOC and sexuality professional. (I didn’t focus on other oppressions because I hadn’t read the book and didn’t know more about the personal IDs of the contributors around axes like gender ID, ability level, etc. but maintain that inclusivity along these axes is also critical).

SOSM

If you know me, you know I’m an activist, but also pretty damn diplomatic, so regardless of whatever I was feeling, my first step was to publicly ask the author and some of the contributors (including some I consider friends as well as professional colleagues) what the deal was. This set off a chain of events that continues to be in motion right now, and I want to share with you. [If you’re looking for the official, collective WOCSHN response which I worked on with some fierce ladies, peep it here instead.]

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When “Going East” Is Code for “CHERRY BLOSSOM RACISM”

A friend posted this article about the recent launch of the “Go East” Victoria’s Secret line on their Facebook page, and a comment exchange ensued between some folks, myself included. I thought some points that were raised deserved a response (and a public one at that, not caught up in the FB privacy settings). I’ve paraphrased and bolded them here + added some responses.

  • How is this racist? A geisha is a sexual figure in East Asia already. 
This line isn’t just sexualizing the geisha—the entire LINE is all about “sexy exotic Asian-ness,” and it’s all predicated on a commodified, simplified, and inauthentic view of “exotic asian culture.” For the purposes of Victoria’s Secret, “going east” means “let’s put some cherry blossoms and red on some lingerie and make our models wear chopsticks in their hair and OH OH don’t forget the kimono!” Of course it brings in the geisha as one of the lingerie styles because that’s one of the easiest things to sexualize here in the U.S., since so many people are familiar with the concept. Speaking of which, most of us have a pretty simplified and misinformed idea about what being a geisha entails anyway, and the level of education and training geishas got/get as well as the diversity of their actions/professions is not something a lot of people know about. Most folks just think “yeah, a geisha, a Japanese prostitute with the white face and stuff, like in Mulan or something.”
  • Sexual fantasy doesn’t indicate personally racist/bigoted beliefs. Wanting to dress like a geisha doesn’t make someone a racist.
Sexual attitudes and desires don’t happen inside of a magic bubble. We all have the responsibility to ask ourselves why we like what we do instead of just saying “AH WELL I JUST LIKE STUFF WHO KNOWS WHY.” Just as we adopt racist, sexist, etc.-ist beliefs in other areas of our lives, we adopt them in our sexual life and sexuality too. It’s our responsibility to interrogate what we want and how that intersects with the world around us. It’s like saying “yeah I only date white people, I dunno, I just find them more attractive.” Beauty is not this magically 100% objective thing–it’s very conditioned by our upbringing and cultural surroundings, and if those have racism embedded into them, you betcha your ideas of beauty will also have racism embedded unless you actively work to fight that and deconstruct it as much as possible.
And even if someone doesn’t want to dress like a geisha due to “explicitly racist” reasons, it involves a degree of subconscious entitlement to do so–that “yes, I can wear this, because I can do whatever I want, I have access to these pieces of this culture and I don’t have to think about the context or the impact of this choice.” It’s that dismissiveness, that disregard, that idea that all things are possible/accessible and OK because “I’m not actually a racist.” Racism isn’t just lynchings and cross-burning and denying people jobs; it’s way more complicated and pervasive than that.
  • Taking this line down and not carrying foreign-oriented lines of lingerie = just as offensive as carrying them.
There’s a difference between carrying a line catered to a particular community and appropriating that community’s culture. There’s also a difference between actually trying to provide positive and accurate representation of a culture for that culture (or even for society) and doing something simplified to purely make profit and create the newest fashion collection. Here, the intent as well as the outcome are important. Furthermore, no, these things are not “equally offensive.”
Of course, product advertising and these sexy lingerie things are never going to fully capture the entire history of whatever they’re symbolizing/hinting at, but when it’s done along already tense axes, where there have been lots of struggles between those who are creating the products and those who they are “depicting,” it’s a problem. Why? Because it’s once again a reiteration of the same power dynamics. In a climate where there are still a lot of anti-Asian feelings (check out this website for example!), it’s just one more way in which U.S. culture, especially non-asian/specifically-white U.S. culture, asserts that it can take whatever it wants from these cultures for its own purposes, demonize the fuck out of those same cultures, and not be held accountable.