Honoring MLK: Racial Justice and Social Work

Martin Luther King Jr. getting quoted out of context is one of my pet peeves. Thankfully, that did not happen on Tuesday, when I attended a panel on racial justice in honor of his legacy.

The Massachusetts Chapter of the National Association of Social Workers organized a forum to discuss the current state of racial justice and the social work profession in Boston. It was originally scheduled for January, but as luck would have it, Boston faced the snowiest, most bananas winter in history and the well-laid plans had to be changed.

An eternal live-tweeter and sharer of information, I documented the event and created a Storify where people can, essentially, virtually tag along for the ride after the event. You can find it here. The panelists were as follows:

MLK Racial Justice Panel Cohort

Left to right: Melendez, MacArthur, Belkin Martinez, Copeland. Photo credit to Shabnam Deriani.

I don’t generally go to panels on racial justice to learn new information, as someone steeped in this on the daily and who also presents on anti-racism. I go to these events to have more bodies in the room, to hear my colleagues speak, to nourish my spirit with the shared passion of those dedicated to social change. However, I often do learn new nuggets of wisdom—new quotations, new strategies, new frameworks—and this event did not disappoint. The biggest takeaway? The work of Whitney Young Jr.

Dr. Phillipe Copeland—one of the panelists and one of the professors at the Boston University School of Social Work where I’m pursuing my Master’s in Social Work—quoted Whitney Young Jr. and his thoughts on the social work profession as it connected to racial justice and social justice overall. I wanted to share that with all of the budding social workers and seasoned vets in my community, because they are POWERFUL.

Here’s an excerpt from from Young Jr., in “Social Welfare’s Responsibility in Urban Affairs” [emphasis mine].

Let these words ABOUT RACIAL JUSTICE/SOCIAL JUSICE sink in, marinate, and transform you and your practice.

It is not enough for the social worker to teach the poor how to survive on a substandard budget. We must plant the seeds of indignation and of desire for change in the mind of every citizen suffering in want. We must be the catalysts of change, not the maintainers of the status quo. Establishing rapport, cutting through defenses, is the only way we can achieve anything of value. We must let people know that we are not just interested in establishing eligibility or in granting minimal services. We must see them as individuals.

We must help them understand that we are not just a part of the faceless bureaucracy which regulates their lives, but that we are concerned with helping them, as individuals, get into the productive mainstream of society. We must fight against red-tape restrictions and requirements which deny people their humanity. We must tell the unemployed that they have the right to work, the right to education of high quality for their children, the right to be trained, and the right to support themselves and their families at a decent level.

We must tell families in poverty that they have a vote and can use it to secure a more sympathetic ear in our corridors of power; that they must broaden their children’s horizons; that change is a law of life, and reform must be a way of life. These are the basic means of humanizing the city.

In a society which has succumbed to an excess of professionalism and technology, materialism and theoretical concepts, we must, in order to redress the balance, succumb to an excess of feeling, of courage, of caring, and of decency. I believe the time is ripe. The problems of our cities are begging for solution. Our profession is now mature and secure enough to provide leadership in this effort. A society that would call itself civilized is at stake.


 

The photo at the top/banner of this post illustrates Martin Luther King Jr. addressing a crowd from the steps of the Lincoln Memorial where he delivered his famous, “I Have a Dream,” speech during the Aug. 28, 1963, March on Washington, D.C. [and is in the public domain].

When Sex-Positive Icons Fuck Up

On the heels of a discussion I was having during the training for our CSPH interns yesterday (all about radical feminism, sex-positivity, liberal feminism, and the hot mess among all those camps), I thought it’d be appropriate to finally post this. This is a good example of what some folks critique about sex-positive icons, or even just liberal feminist people–that many ignore the intersections, that they advocate for the rights of some but ignore others, that they are so caught up in all the radical possibilities of pleasure, that they ignore when sexuality can be painful and problematic and perpetuating oppression on other axes.

So, the following excerpt comes from the blog of Bianca Laureano (here). Apparently Annie Sprinkle, a big sex-positive icon who’s done a lot around sex-work especially, said the following:

Annie Sprinkle Thanks for reviving this ‘ancient’ image! When I made this image, for me it was about HONORING the art of India. I have always adored everything from India. Especially the music and art. When I began to study and practice Tantra, is when I made this image. I was so enthusiastic! I think i had past life in India, so really, maybe I’m not even appropriating as I might have been Indian. That said, I do agree that this is “appropriation.” In retrospect, I didn’t know a thing about “appropriation.” Now I am educated about it and am more sensitive. Thankfully I had some nice people explain it to me in ways I could hear it, after being attacked and judged on a college campus about 18 years ago! This image was made in 1989 or 90. It is not a new image. I think when we see people being “inappropriate” we need to be nice about it, and educate. Not attack. In most cases. Not all. Still, in the end, I do love the image, and think that when looked at with SEX POSITIVE EYES it is a beautiful image. An honoring image. xxx
I also feel that nothing is really new. That we are all appropriating all the time, and borrowing from many cultures. Especially in the multicultural mix of the new millennium. I like the idea of utilizing all kinds of culture and adding to it. Like collage. Taking things and making them over again in new ways. That appeals to me. When art is good, it provokes responses, and is controversial. At least my favorite art is. That’s why I love Phillip Huang. He gets a rise out of people! Love you Phillip. Love you Counterpulse! Love you everyone! Saturday at 11:42am

Gosh, this conversation is really turning me on! I haven’t been this controversial in a while. I’m really taking pleasure from it. Thanks everyone. Although I do apologize if something I did in 1989 offended anyone. But then… there was 1973, 1974, 1975… Oy vey. Saturday at 9:28pm
Thanks Cx Tiara Transience. Live and learn. You are right that that the anger against racism is totally justified. However, I was saying that I learn better when people explain things nicely to me rather than put me on the defensive. Then I just want to fight or flight and not listen. And Beth Stephens, i LOVE YOU. Yesterday at 1:54pm

(Also, why is appropriation in quotations…? Appropriation is appropriation, no need to air quote it. Anyway.) Of course–a lot of white people appropriate things of other cultures in hopes of “honoring them” or “showing how awesome they are and how much they like it,” but it’s still appropriation and it’s still a big problem (and some are just ignorant or flat-out racist fucks that aren’t trying to honor ANYONE but themselves). It ignores the legacies of inequality and the ways in which white people consumed, regulated, and spat out people of color’s cultures. It perpetuates the idea that white people get to be the arbiters of culture and arbiters of what’s important and valued, and that what POC have to offer is merely for consumption. There’s a difference between appreciation and appropriation.

(This is the picture in question)

Of course, not all people of color will react in the same ways. A lot of us don’t see eye to eye on racism issues, and a lot of folks are actually pretty convinced racism isn’t such a problem anymore (especially in the age of Obama), just like many women think sexism isn’t a thing anymore…y’know, ’cause now we can vote and go work and stuff. This is often due to other identities/privileges people hold (read: it’s easier to think racism’s gone if you’re a POC with a lot of money), and/or due to internalized issues around race and privilege. For an example of this, and how even POC can trivialize POC concerns, check out Philip Huang’s video doing an “interpretive/dramatic reading” of the issues some POC raised around this. Yeeeeeeeeeeah.

But onto the actual Annie Sprinkle comments (which have now been deleted).

I’m glad she sees that her work was appropriative, but the rest of her post kind of messes it up for me. The part about how she might not even be appropriating because she may have been Indian in a past life is a huge copout and pretty perturbing. When she says “Thankfully I had some nice people explain it to me in ways I could hear it, after being attacked and judged on a college campus about 18 years ago!” puts the blame on “those mean people who judged and attacked” 18 years ago. Of course people will generally listen more when folks approach things nicely, but not everyone can and/or should speak nicely about these issues, and the onus is on the folks who have transgressed to listen and see what they are being confronted with. That doesn’t mean being a doormat, for sure, but it means centralizing the issue and the concerns, NOT the feelings about being called out. Too many critical conversations get shut down because the people being called out prioritize their feelings over the issues and the fucked up things they did. 

Furthermore, the part about Still, in the end, I do love the image, and think that when looked at with SEX POSITIVE EYES it is a beautiful image. An honoring image. xxx” really negates a lot of what is said earlier. It’s like saying “yes, this is fucked up, BUT REALLY if you look at it in the end with ~*SEX POSITIVE EYES*~ you can appreciate it.” Well no, we can’t all appreciate it even if we’re sex-positive because we don’t have the luxury or privilege of “taking off” the lenses that look at racism and appropriation…and we shouldn’t, because what we need to be doing is calling people out for doing racist and appropriative things, not just staying silent about it.

The comments about how “nothing is really new” and we are all “appropriating all the time, and borrowing from many cultures,” especially in this climate of multiculturalism, really once again shows a disregard (and/or ignorance) to the histories of appropriation. And no, it’s not like cultures aren’t mixing and should never mix, but that we need to acknowledge the power dynamics that keep getting recycled over and over and how those show up in our society. On the art note, too, art can be avant-garde and controversial and provocative without needing to be racist. Art can depict and critique and discuss racism WITHOUT HAVING TO FALL INTO RACISM AND APPROPRIATION. (Cross-reference the Diana Joy blackface debacle in RI and my creation of the Keep It Checked Tumblr).

So why is this such a big deal?

Because it’s one of those big “sex-poz” icons who a lot of people look up to. Because this stuff happens at all levels, and pretty constantly. Because even the fact that Annie Sprinkle is taking this somewhat in stride and like “wow, this is getting controversial, that’s awesome” when POC are mostly just feeling shitty and upset speaks volumes. Because we need to remind people that just because someone is an amazing activist in one sphere, it doesn’t make them immune to doing other messed up stuff, or marginalizing other communities. Because for those of us who DO identify as sex-positive and feminists *AND* people of color, we need to speak up and elevate the field when we can. We need to hold the icons and each other accountable for our actions, even if they took place years ago, and we need to all keep learning and growing.
For those of us who are comfortable calling people out (even if not all the time), I encourage us to keep doing it. For those of us who get called out, we need to keep listening. And we ALL need to remember that activism and work in social spheres is complex and should be nuanced, not oversimplified. We need many lenses and many voices to make some radical change.

Doing something that gets a call-out doesn’t negate other good work people have done (as in Annie’s case), as if retroactively this entire person’s career were tainted by a problematic image/statement. What it DOES mean, though, is that a critical light must be shed on their past/present/future work, and that we need to understand how their views may have affected (and may continue to affect) their work.  Also, so I can leave y’all with some action items and actual tools, check out this awesome PDF that talks about common racist attitudes and behaviors that indicate a detour or wrong turn into white guilt, denial, or defensiveness. “Each is followed by a statement that is a reality check and consequence for harboring such attitudes.” Super useful. Please share widely! 🙂

I asked a friend “Do you think I’m just slowly turning into a pissed off lesbian separatist stereotype?”

Our conclusion was that no, I wasn’t, but I think I’ve more recently come to fully understand those “angry, humorless feminist/woman of color/queer” stereotypes ‘cause I feel that ish right down to my bones. Things that maybe I didn’t care about before, or just let slide by, are no longer okay. Once you start seeing inequality and start realizing how pervasive racism and sexism and homo/trans/biphobia and all these things are, it’s hard to ignore.

Of course I’m angry, after cis-men feel entitled to my body/time and don’t ask for consent, after my queer community is denied rights, after people feel like they have the right to tell me how I can or can’t have sex.

Of course I’m angry when women, especially women of color, make less than men in the same positions; when people of color are vilified in the media and whiteness is insidiously and subtly upheld as the standard; when companies produce skin-lightening creams that reap the benefits of colonialism and ideas about how precious pale skin is.

Of course you’ll think I’m “humorless” when I don’t laugh at the jokes that come at the expense of women/queers/POC, that trivialize inequalities and the fucked up shit some of us have to deal with on a daily basis.

Sorry, but my definition of “funny” no longer encompasses things that rely on oppressive stereotypes and judgments, and yours shouldn’t either. It’s not just being lazy with comedy; it’s outright being a privileged piece of shit who cares more about making a joke than about the harm that joke can cause to people.

A Paragraph on Sex-Positivity: GO!

At its core, sex-positive individuals like myself see sexuality as a potentially joyful and productive aspect of human life, one that should not be rooted in shame and relegated to whispered conversations. I find it such an important and boundary-breaking way of looking at the world because it doesn’t dictate specific courses of action so much as it promotes comprehensive education and the availability of options for people to make their own decisions. Thus, there is no “one correct” way of experiencing pleasure and/or expressing one’s sexuality, but instead plenty of room for nuance, fluidity, and difference. For me particularly, sex positivity is deeply tied to ideas about feminism, anti-oppression work, and notions of intersectionality; it’s about the individual, but also the community. Bringing a sex positive attitude into practice means striving for the liberation of individuals from structural forms of oppressive control—recognizing that these don’t play out in the same ways for everyone—and asserting the right of people to pursue their sexual pleasure in ways that feel right for them, as long as they do so in a consensual, informed manner.